Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Thomas Chambers
The Cascatelli ivoli, Looking Towards Rome

ID: 09909

Thomas Chambers The Cascatelli ivoli, Looking Towards Rome
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Thomas Chambers The Cascatelli ivoli, Looking Towards Rome


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Thomas Chambers

1808-1886 Thomas Chambers Galleries   Related Paintings of Thomas Chambers :. | Niagara Falls viewed from Goat Island | Threatening Sky at the Bay of New York | The Cascatelli ivoli, Looking Towards Rome | Staten Island and the Narrows | Staten Island and the Narrows |
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LAWRENCE, Sir Thomas
English painter (b. 1769, Bristol, d. 1830, London). Thomas Lawrence was born in Bristol on May 4, 1769. At Devizes, where his father was landlord of the Black Bear Inn, Thomas's talents first became known. Fanny Burney, a prodigy herself, reports that in 1780 Sir Joshua Reynolds had already pronounced Lawrence the most promising genius he had ever met. When Thomas was 10, his father moved the family to Oxford and then to Bath to take advantage of the portrait skill of his son. At the age of 17 Lawrence began to paint in oil, all his previous work having been in pastel. In 1787 the family moved to London, and by 1789 he was challenging Reynolds. When Reynolds died in 1792, Lawrence was appointed to the lucrative post of painter in ordinary to the king. He soon became the foremost portrait painter in England, a position he maintained until his death. His portraits of women are models of beauty and elegance, whether the sitter be a tragic actress like Mrs. Siddons, a social figure like the Princess de Lieven, or a personal friend. At the close of the Napoleonic Wars, Lawrence was knighted and commissioned to paint the leading sovereigns and statesmen of Europe. When he returned to England in 1820, he was elected president of the Royal Academy; he handled the affairs of his office with tact and urbanity. He died on Jan. 7, 1830. Following the English masters of the 18th century, Reynolds, Thomas Gainsborough, and George Romney, Lawrence carried on the great tradition of society portraiture and raised it to new heights of dash and elegance, though not of psychological penetration. He was by no means an artist of the astonishing insight of Gainsborough, and he did not have the occasionally disconcerting originality of Reynolds. Lawrence had their faults: all were affected by the distorting demands of their fashionable clientele, and all succumbed to them. He had the least to say, and he reflected his sitters' own best views of themselves, yet even they must sometimes have been surprised at their own magnificence. Handsome his portraits undoubtedly are; all the women are strikingly beautiful, the men brave and distinguished. Lawrence enjoyed his great success. He lived for his work, never married, and was a prodigious worker. He was of an exceptionally generous nature, as an artist and as a man, with a rare talent for appreciating and encouraging the talents of others. He was an ardent collector of Old Master drawings; his collection, which was dispersed after his death,
Jacob Knyff
(January 1, 1639, Haarlem - 1681, London), was a Dutch Golden Age painter. According to Houbraken he was the teacher of Johannes Gottlieb Glauber in Paris in 1671, where he attended the funeral of Nicolaes Berchem II on January 4, 1672. he was probably the son of the painter Wouter Knijff, and is known for painting landscapes and seascapes
franz liszt
Period: Romantic (1820-1869) Country: Hungary Born: October 22, 1811 in Raiding Died: July 31, 1886 in Bayreuth Genres: Chamber Music, Choral Music, Concerto, Keyboard Music, Miscellaneous Music, Orchestral Music, Symphony, Vocal Music






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